Becky and the Birds《2CD》2018-2020/FLAC/BD

“一旦我学会了生产方法,一切就都准备就绪了。感觉非常自然和有趣。”因此,西娅·古斯塔夫森(Thea Gustafsson)像贝基与小鸟(Becky&The Birds)一样,不仅创作和表演华丽的新灵魂歌曲,而且还安排和制作这些歌曲,监督她的工作的方方面面。


Thea使用Becky&The Birds作为她的单曲,播放有关复杂女性的歌曲-坚强,独立,敏感和浪漫的女性。正如Thea所解释的那样,标题轨Trasslig松散地翻译为“纠结,凌乱和打结”,基本上是一种女权主义的国歌-人们如何害怕同时具有强大和脆弱性的女性,还有没有空间了。但是可以成为trasslig。成为自己的全部。”在把它写成一首诗之后,她发现最合适的配音演员来录制它,然后才意识到自己最有能力对其进行叙述。这是用她的母语瑞典语读的,以确保她的根源仍然是她的身份和表现不可或缺的一部分。

“As soon as I learnt how to produce, everything fell into place. it just felt very natural and fun.” So says Thea Gustafsson who, as Becky & The Birds, not only writes and performs sumptuous neo-soul songs, but arranges and produces them too, overseeing every aspect of her work.

Born in Örebro, Sweden, Thea’s life has always been steeped in music, whether that’s listening to traditional Swedish folk songs; following her father’s career as an accordionist or his passion for jazz and soul; her sister’s love of 90s R&B and hip-hop; or through her own experiences playing violin as a child and composing pieces for orchestras. It’s little surprise she has absorbed all she’s been exposed to but it takes a rare talent to channel all of this in to a striking EP of lush, polished songs.

Thea uses Becky & The Birds as her outlet for songs about complex women — strong, independent, sensitive and romantic women. The title track, Trasslig, which loosely translates as “tangled or messy and knotted” is, as Thea explains, “basically a feminist anthem — how people are scared of women who could be both powerful and vulnerable at the same time, and there’s no space for that. But it is OK to be trasslig. to be all the parts of yourself.” After writing it as a poem, she searched for the perfect voice actor to record it, before realizing she was best placed to narrate it herself. It’s read in her native Swedish, ensuring her roots remain an integral part of her identity and performance.

2018 – Becky and the Birds
2020 – Trasslig




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