Ava Vegas《Ava Vegas》2020/FLAC/BD

阿瓦维加斯的音乐听起来像是一部电影中的可转换乘驾。

后座,夜晚,荧光灯。

也许露天旅行会穿越一个虚构的拉斯维加斯,这个城市已经看起来像是生活只能从现实中反弹的所有渴望的复制品。

虚幻,欺骗,危险。

但是,在梦想与现实之间,存在着一个模棱两可的地方,一个幻境,在这里这个地方已经变成了音乐。

幻觉,视觉,火花,刺痛。

因此,在阿瓦维加斯的歌声中,一整夜光彩照人,一闪一闪的东西,在闪闪发光的亮片中可见,同时被不可避免的黑暗所笼罩。

坚硬,柔软,狂喜,伤心至死。

音乐就像是一种状态的唱片,在这种状态下,人们意识到,一个渴望如此的世界实际上是不存在的。

在爱中,被抛弃,狂喜,悲伤。

但是这个世界毕竟可以存在。它在Ava Vegas的音乐中回响。

阿瓦维加斯最初来到柏林,是在艺术大学学习建筑。但是今天她更喜欢在歌曲中设计自己的建筑物,在其中她找到了更适合自己想法的地方。她出生于诺丁奖获得者最多的城市哥廷根,然后与家人搬到戈斯拉尔。但是,她大部分的童年和青年时期都在伊比沙岛上度过,在那里她住在她的父亲(文化研究教授)建造的一所小房子里。她只是想念歌手Nico(别名ChristaPäffgen),后者最后一次居住在伊维萨岛,并于1988年在骑自行车时因中风而去世-但这位黑歌手的精神似乎已经融入了Ava的音乐中。因此,从Nico的作品中借来了拉斯维加斯作为她的艺名,同时描述了美国沙漠城市的虚幻中转状态,她的城市音乐也能说出这句话:在伊维萨(Ibiza)的电子音乐俱乐部的影响下,她最终来到了首都,在那里她得到了歌手Dagobert的鼓励,开始录制自己的音乐。尽管Ava Vegas通过唱歌,钢琴,芭蕾舞和表演课为此做好了充分的准备,但她还是与Johannes Weber(宾夕法尼亚州Hülsenbeck的Jungstötter),Tim Roth(1k花,Sin Maldita),Max Gruber(Drangsal),Tom Hessler(Fotos)和ArnarGuðjónsson(Warmland,Kaleo,Dream Wife),直到她看到歌曲中的魔力变为现实。现在,该声音以九种微妙而引人入胜的片段展现出来:Art Pop,介于1980年代的Lana del Rey,约翰·凯尔(John Cale),芭蕾舞团的莱斯利·费斯特(Leslie Feist)和希尔德加德·克内夫(Hildegard Knef)那种风骚的微笑之间。在伊比沙岛(Ibiza)的电子音乐俱乐部的影响下,她最终来到了首都,在那里她得到了歌手达哥贝特(Dagobert)的鼓励,开始录制自己的音乐。尽管Ava Vegas通过唱歌,钢琴,芭蕾舞和表演课为此做好了充分的准备,但她还是与Johannes Weber(宾夕法尼亚州Hülsenbeck的Jungstötter),Tim Roth(1k花,Sin Maldita),Max Gruber(Drangsal),Tom Hessler(Fotos)和ArnarGuðjónsson(Warmland,Kaleo,Dream Wife),直到她看到了歌曲中的魔力。现在,该声音以九种微妙而引人入胜的片段展现出来:Art Pop,介于1980年代的Lana del Rey,约翰·凯尔(John Cale),芭蕾舞团的莱斯利·费斯特(Leslie Feist)和希尔德加德·克内夫(Hildegard Knef)那种风骚的微笑之间。在伊比沙岛(Ibiza)的电子音乐俱乐部的影响下,她最终来到了首都,在那里她得到了歌手达哥贝特(Dagobert)的鼓励,开始录制自己的音乐。尽管Ava Vegas通过唱歌,钢琴,芭蕾舞和表演课为此做好了充分的准备,但她还是与Johannes Weber(宾夕法尼亚州Hülsenbeck的Jungstötter),Tim Roth(1k花,Sin Maldita),Max Gruber(Drangsal),Tom Hessler(Fotos)和ArnarGuðjónsson(Warmland,Kaleo,Dream Wife),直到她看到了歌曲中的魔力。现在,该声音以九种微妙而引人入胜的片段展现出来:Art Pop,介于1980年代的Lana del Rey,约翰·凯尔(John Cale),芭蕾舞团的莱斯利·费斯特(Leslie Feist)和希尔德加德·克内夫(Hildegard Knef)那种风骚的微笑之间。在早期的歌手Dagobert的鼓励下,她录制了音乐。尽管Ava Vegas通过唱歌,钢琴,芭蕾舞和表演课为此做好了充分的准备,但她还是与Johannes Weber(宾夕法尼亚州Hülsenbeck的Jungstötter),Tim Roth(1k花,Sin Maldita),Max Gruber(Drangsal),Tom Hessler(Fotos)和ArnarGuðjónsson(Warmland,Kaleo,Dream Wife),直到她看到了歌曲中的魔力。现在,该声音以九种微妙而引人入胜的片段展现出来:Art Pop,介于1980年代的Lana del Rey,约翰·凯尔(John Cale),芭蕾舞团的莱斯利·费斯特(Leslie Feist)和希尔德加德·克内夫(Hildegard Knef)那种风骚的微笑之间。在早期的歌手Dagobert的鼓励下,她录制了音乐。尽管Ava Vegas通过唱歌,钢琴,芭蕾舞和表演课为此做好了充分的准备,但她还是与Johannes Weber(宾夕法尼亚州Hülsenbeck的Jungstötter),Tim Roth(1k花,Sin Maldita),Max Gruber(Drangsal),Tom Hessler(Fotos)和ArnarGuðjónsson(Warmland,Kaleo,Dream Wife),直到她看到了歌曲中的魔力。现在,该声音以九种微妙而引人入胜的片段展现出来:Art Pop,介于1980年代的Lana del Rey,约翰·凯尔(John Cale),芭蕾舞团的莱斯利·费斯特(Leslie Feist)和希尔德加德·克内夫(Hildegard Knef)那种风骚的微笑之间。她与约翰内斯·韦伯(约翰·韦斯特,宾夕法尼亚州Hülsenbeck),蒂姆·罗斯(1k Flowers,辛马尔蒂塔),麦克斯·格鲁伯(Drangsal),汤姆·黑斯勒(Fotos)和ArnarGuðjónsson( Warmland,Kaleo,Dream Wife),直到她看到歌曲中的魔力栩栩如生。现在,该声音以九种微妙而引人入胜的片段展现出来:Art Pop,介于1980年代的Lana del Rey,约翰·凯尔(John Cale),芭蕾舞团的莱斯利·费斯特(Leslie Feist)和希尔德加德·克内夫(Hildegard Knef)那种风骚的微笑之间。她与约翰内斯·韦伯(约翰·韦斯特,宾夕法尼亚州Hülsenbeck),蒂姆·罗斯(1k Flowers,辛马尔蒂塔),麦克斯·格鲁伯(Drangsal),汤姆·黑斯勒(Fotos)和ArnarGuðjónsson( Warmland,Kaleo,Dream Wife),直到她看到歌曲中的魔力使之栩栩如生。现在,该声音以九种微妙而引人入胜的片段展现出来:Art Pop,介于1980年代的Lana del Rey,约翰·凯尔(John Cale),芭蕾舞团的莱斯利·费斯特(Leslie Feist)和希尔德加德·克内夫(Hildegard Knef)那种风骚的微笑之间。

但是,如果我们回到最初的电影背景,那条小路将带我们进一步穿越清醒的梦city般的梦想之城,到达大卫·林奇(David Lynch)1986年的杰作《蓝丝绒》(Blue Velvet),其气氛直接转移到了类似香颂的浪漫摇摆音乐中。Ava Vegas站在天鹅绒窗帘前。在舞台上,观众凝视着动不动的动静,一个美丽的年轻女子,湿mo的眼睛和一个会心的微笑,歌唱着只有音乐才能存在的世界。

-亨德里克·奥特伦巴

Back seat, night, fluorescent lights.

Perhaps the open-air ride leads through an imaginary replica of Las Vegas, the city that already looks like a replica of all those longings that life can only bounce off reality.

Unreal, deceptive, dangerous.

But between dream and reality there is a place, ambiguous and wide, a phantasm, and here this place has become music.

Illusion, vision, sparkle, tingling.

Thus, in the songs of Ava Vegas, something glorious flies through the night, something shining, visible in a glittering light reflecting in sequins, at the same time enveloped by an inescapable darkness.

Hard, soft, exultant, saddened to death.

The music is like a record of that state in which one realizes that the world one so longs for cannot in fact exist.

In love, abandoned, ecstatic, sad.

And yet this world can exist after all. It sounds and echoes in the music of Ava Vegas.

Ava Vegas originally came to Berlin to study architecture at the University of the Arts. But today she prefers to design her buildings in her songs, in which she finds a more appropriate place for her ideas. She was born in Göttingen, the city with the most Nobel Prize winners, then moved with her family to Goslar. However, she spent most of her childhood and youth on Ibiza, where she lived in a small house that her father, a professor of cultural studies, had built. She had just missed the singer Nico (alias Christa Päffgen), who last lived on Ibiza and died of a stroke there in 1988 during a bicycle ride – but the spirit of the dark singer seems to have moved into Ava’s music. Thus Vegas is aptly borrowed from a Nico piece as her stage name, and at the same time describes the unreal transit state of the American desert city, which also speaks through her urban music: influenced by the techno clubs of Ibiza, she finally ended up in the capital, where she was encouraged by singer Dagobert to record her music during her early years. And even though Ava Vegas was well prepared for this through singing, piano, ballet and acting lessons, she searched for a long time for the true transfer of her visions, working with Johannes Weber (Jungstötter, P.A. Hülsenbeck), Tim Roth (1k Flowers, Sin Maldita), Max Gruber (Drangsal), Tom Hessler (Fotos) and Arnar Guðjónsson (Warmland, Kaleo, Dream Wife) until she saw the magic in her songs brought to life. This sound is now revealed in nine subtle, catchy pieces: Art Pop somewhere between Lana del Rey, 1980s John Cale, balladesque Leslie Feist and the coquettish smile of Hildegard Knef.

However, if we return to the initial film set, the path leads us further through the lucid (nightmare) dream city to David Lynch’s masterpiece Blue Velvet from 1986, whose atmosphere has been directly transferred to the chanson-like, romantically swaying music. There Ava Vegas stands before a velvet curtain. The audience stares spellbound and motionless at the stage, where a beautiful young woman with moist eyes and a knowing smile sings about the very world that can only exist in music.

– Hendrik Otremba

专辑列表:
2020 – Ava Vegas

百度网盘:
链接:https://pan.baidu.com/s/1VmgaCcbQOJoFoYM3kz6rUQ

温馨提示: 下载链接需要 评论本文 后才能查看.

请开启 Cookie(勾选在此浏览器中保存我的名字、电邮和网站。)


解压密码:savalone

2 Replies to “Ava Vegas《Ava Vegas》2020/FLAC/BD”

发表评论

邮箱地址不会被公开。 必填项已用*标注